Terminal

Comprising two sprawling instrumental movements titled 'Slow' and 'Death', the album represents the Chicago quartet's most stripped-back and nihilistic approach to extreme doom. The arrangements emphasize glacial tempos and the physical resonance of sustained distortion, eschewing the rhythmic variation of their previous studio efforts in favor of a singular, oppressive atmosphere. It functions as a sonic meditation on finality, utilizing high-gain amplification to explore the textural boundaries of funeral doom.