Filha de mil mulheres

The profoundly cinematic debut album from the Brazilian composer entirely eschews traditional song structures for sprawling, highly atmospheric jazz and post-rock compositions. Utilizing a massive ensemble featuring brass, strings, and heavily reverberated guitars, the record provides a lush, nocturnal backdrop for her breathy, deeply emotive Portuguese vocals. It stands as a beautifully orchestrated, fiercely independent triumph of modern South American avant-pop.