Let Night Come on Bells End the Day

The acclaimed Canadian composer returns with a deeply restorative, incredibly slow-moving ambient project centered primarily around the warmth of the Mellotron and electric organ. Eschewing the heavily classical acoustic instruments of her previous work, she crafts vast, deeply resonant electronic drones that simulate the gradual fading of twilight. The remarkably patient, meditative album was widely praised for its overwhelming sense of acoustic intimacy and peace.