4. Non-Harmonic Synthesis

by Beaver & Krause

From the album: The Nonesuch Guide to Electronic Music

Track 5 of 68 on The Nonesuch Guide to Electronic Music (1968).

The Nonesuch Guide to Electronic Music cover art

More from The Nonesuch Guide to Electronic Music

  1. I. Peace Three
  2. 1. Slow-Motion Audible Example
  3. 2. Composition
  4. 3. Harmonic Synthesis
  5. 4. Non-Harmonic Synthesis
  6. 1. Slow-Motion (Negative- And Positive-Going)
  7. 2. Composition
  8. 1. Slow-Motion Audible Example (1/8-1/2)
  9. 2. Composition (Using 1/8, 1/7, 1/3, 1/2)
  10. 1. Slow-Motion Audible Example
  11. 2. Composition
  12. E. White Sound Composition
  13. A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion
  14. B. Sequential Voltage Sources. Composition
  15. 1. 12-Tone
  16. 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves)
  17. 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave)
  18. 4. Portamento
  19. B. Ribbon Control
  20. 1. Vibrato Ⓢ (Speed Increases As Pitch rises)
  21. 2. Sine-Higher Frequency
  22. 3. Sawtooth-Swept
  23. 4. Rectangular 1/2-Swept L2
  24. 5. Triangular-Swept
  25. 1. 3 Square Waves At Different Frequencies
  26. 2. 3 Triangular Waves At Different Frequencies
  27. 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies
  28. E. White Sound
  29. 1. Up An Octave, Back To Pitch
  30. 2. Up A 3rd, Back To Pitch
  31. 3. Down An Octave, Back To Pitch
  32. 4. Down A 3rd, Back To Pitch
  33. A. Keyboard
  34. B. Ribbon Controller
  35. 1. Tremolo
  36. 2. Sine-Higher Frequencies (S Sweeping S)
  37. 3. Sawtooth (Negative- And Positive-Going Swept)
  38. 4. Rectangular-L2 Swept
  39. 5. Triangular-Swept
  40. 1. 4 Square
  41. 2. 3 Triangular
  42. 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ
  43. E. White Sound
  44. 1. Slow
  45. 2. With Rising Pitch
  46. 3. ∧∧∧∧∧
  47. 1. Series Of Sub-Audible Constants
  48. 2. Tune In Parallel
  49. 3. Tuned In Opposite Direction
  50. B. Sawtooth
  51. C. Rectangular L2
  52. A. White Sound - With Fixed Filters Selected 3rd Octave
  53. 1. Broad
  54. 2. Sharp
  55. C. Low-Frequency Sawtooth-Tuning Through Harmonics
  56. D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics
  57. E. Swept With Ribbon Controller
  58. 1. Sine-Timbre Vibrato Effect
  59. 2. Sine-Variable Rate And Depth
  60. 3. Sawtooth (Descending And Ascending)
  61. 4. Rectangular
  62. 1. -----------------
  63. 2. -----------------
  64. 3. ------------------
  65. 4. ------------------
  66. A. Single Repeat
  67. B. Multiple Repeat
  68. IX. Peace Three (Recap)